homedesigning:

(via Brick Wall Studio Apartment Inspiration)

5 years ago 903 notes

naveen:

vouliagmeni.

5 years ago 7 notes

wrdbnr:

CHANGE

5 years ago 271 notes

LITERALLY THIS JUST HAPPENED I'M SCREAMING

ME: *SINGING LOUDLY* YO I'LL TELL YOU WHAT I WANT WHAT I REALLY REALLY WANT
UPSTAIRS NEIGHBOR: SO TELL ME WHAT YOU WANT WHAT YOU REALLY REALLY WANT SO I CAN GO TO SLEEP
5 years ago 189,320 notes

fasciner:

By Rachel_thecat

(via fasciner)

5 years ago 202 notes

myidealhome:

(via myidealhome)

5 years ago 311 notes

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5 years ago 244 notes
10th
April
21,166 notes
Reblog
rebeccamock:
“ A Year In Trees
A made this animated/print piece to accompany the beautiful op-ed story “A Year in Trees” for the NY Times. I was really excited to try animating something like this. Thanks AD’s Erich Nagler and Aviva Michaelov...

rebeccamock:

A Year In Trees

A made this animated/print piece to accompany the beautiful op-ed story “A Year in Trees” for the NY Times. I was really excited to try animating something like this. Thanks AD’s Erich Nagler and Aviva Michaelov !

Wow. This is beautiful!

5 years ago 21,166 notes

krgkrg:

Stamps for putting patterns on biscuits. By StudioLav

5 years ago 17 notes

the6550s:

Photo:  Mr. Eirik Johnson, Metropolis Magazine 

(via opcion)

5 years ago 337 notes

farewell-kingdom:

Hitomi Hosono

5 years ago 1,059 notes

shapesupply:

Angles Mirror by Daniel Rozin

Interactive installation using a triangular method of representation with a motorized array:

The “Angles Mirror” rejects the idea of building a picture based on relative lightness and darkness. Instead, it explores a system of linear rotation that indicates the direction of an object’s contour. A wall-mounted sculpture, the “Angles Mirror” is a sharp triangular block of steel, dotted with yellow indicator arms that pivot. Based on the isometric grid, its structure favors the patterns and angles found in an equilateral triangle. The arms, which do not have the ability to change brightness or luminosity, use input from a camera and reconstruct the view with areas of varying angles. The negative space surrounding a viewer is translated into horizontal lines on the picture plane. Rather than creating a photorealistic image, the three-dimensional movement of a figure is represented, visualizing optical flow as viewer’s proximity to the sculpture changes. A nuanced contour results, as the viewer shifts back and forth, altering how the structure of space is perceived. Similar to “Fan Mirror”, in the “Angles Mirror”, the sequence of movement across the picture plane is directed in part by its audience. When the viewer walks away from the work, or chooses to view the sculpture from a distance, a series of predefined images and transitions cover the object’s surface.

There are more examples of Daniel’s interactive and alternative ‘mirrors’ at the Bitform Gallery’s Vimeo page here

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5 years ago 4,300 notes

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5 years ago 977 notes

likeafieldmouse:

John Clang - Time (2012)

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5 years ago 4,860 notes